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(provisional installment) (Placeholder for Michael Hurst about the 8 pawns-composition in 4 suits to present his suggestion - which I completely accept - and his translation inclusive a critique, why the text doesn't include any data trumping rules) Michaels suggestion to the 8 pawns composition was ...
... which would create logical pairs inside the given row of the 8 figures in Ingold's passage (I declared this for an excellent observation and agree with him. Translation next passage
The translation follows in smaller pieces:
Now has the card play of the LUST (= unküsch or unküschhayt) 4 kings normally (gemainclich likely means "im allgemeinen" = "normally"), which are the reasons for "Unlauterkayt" (difficult to translate, I would choose "activity not according the right rule"). Commentary: So each suit is a "bad suit" in the opinion of Ingold, cause any part of the game is dedicated to the sin "LUST".
The first is the king of the roses, that is the "Unlauterkeyt" which comes from the beauty of the body, which is similar to the roses, who loose their beauty soon, when the leaves fall and get dry. Where are now the nice flourishing roses? Commentary: if one looks at the 4 pairs at the Ober and Unter position (as you suggested them and as they are plausible), the description fits only to the pair "Toypel and Riffian". The exalted beauty between the 8 court cards should be the only female between them, the Toypel.
The king with his emblem (suit sign) has below him 13 cards, that are the 13 sins, which jump of (or: have their source in) the other 3. Comment: It seems, that Ingold gives the suit of roses a central position by indicating, so that the other 3 suits are only extensions of the central motif (which should be: beauty - the attributes are crowns, money, rings, all increasing the beauty). And each card in the roses suit is related to a sin (which he later in the text explains in a longer passage in detail).
The second king is from the crown, and that means die "Unküschayt" wich comes from the "zierde" (decoration - the crown as decorative attribut) of beauty, "die da zu gelegt wird" (which is laid to the other), and below this there are also 13 sins. Commentary: This 13 sins also find a later commentary of Ingold. Commentary: if one looks at the 4 pairs at the Ober and Unter position (as they're are plausible suggested), one has difficulties to attribut one to the suit sign crown. The "edelman" would fit, but what is about his counterpart "ackerman"? However, the ackerman is identical to the "Pauman, der den wein pauwen sol", and it is imaginable, that the ackerman as the secret hero of this court card composition was crowned with vine-leaves in Bacchus-manner - then he would fit with the suit sign crowns.
The third king is from the pfenning (a German coin), and means the third which brings LUST, that is richness, and under this are also 13 sins, with whom one sins. Commentary: This 13 sins do NOT find a later commentary of Ingold - which, like some other missing elements in Ingold's text, give the impression, that the original text is corrupted or shortened or that Ingold never finished his text. Commentary: if one looks at the 4 pairs at the Ober and Unter position, the description fits only to the money-pair "Pfaff and Wuchrer".
The forth king is the king of the rings, and is the forth reason (or thing) of the LUST, that is the "Haymlichkeyt" (secrecy) of the "stat" (? "stat" according Grimm's wordbook means "quiet" or "quietness"), or the king of the "fingerlin" (should mean also "ring", perhaps it means a specified "ring of love"), which is carried by nobody else than that one, who "in Besunderhayt" (especially) and in secrecy is connected, and there are also 13 sins. Commentary: Central theme is the ring, which manifests a secret love affair, a precise translation is difficult. Commentary: This 13 sins also do NOT find a later commentary of Ingold. Commentary: if one looks at the 4 pairs at the Ober and Unter position, the final pair would be Wirt and Weinman and it is hard to see an iconographically intended relation between them and the suit sign "Ring of Love". Could "rings" have a relationship to "cups" (both offer a circle form)?. When all other identifications are correct, then the rings=cups would refer to Wirt and Weinman, and both would have a splendid relationship to cups (but not to rings). SummaryIngold mentions (and attacks) in his text 2 deck compositions, but only one suit system:
Ingold's text is not completely reliable as a "correct reporter" about the games of his times, either corrupted by a later redaction, which shortened the text, or possibly by Ingold himself, who writes careless or stayed unfinished. As the text is, it seems to the reader, as if the suit system would belong to both deck types - but this is not naturally true, considering the chaotic style of the text. It's recognizable, that the shown suits-system would build a unique form with deck type 1, King-Queen-Maiden (Maiden interpreted as maitresse), as a soft erotical composition would be harmonious to the suit signs Roses-Crowns-Coins-Rings with similar soft erotical qualities (with Roses and Rings). For Ingold this soft erotic is already enough to attack card playing. The other composition with the 8 professions doesn't completely fit with the suits system, it makes in comparison to the above mentioned soft erotic the impression of hard core erotic connected to some sarcastic humour and some revolutionary social spirit.
The explanation somehow demands, that a suit development from cups to rings happened after a development took place, in which Wirt+Weinman as Ober+Unter-pair (and perhaps the complete Ober+Unter-sequence of Ingold's deck) already was born. Naturally card playing took place at drinking places in the early times - various documents are known which give evidence. An involvement of persons which were connected to the inn-keeper's business seems natural, especially in connection to the suit of cups. Also naturally it were places, where occasionally Toypel and Riffian made their appearance and profession. The by Ingold established row (Ackerman - edelman - wuchrer etc.) doesn't really work with Ingold's row, how he describes the suits. From this (Ingold's row to describe the 4 suits) would have been expectable:
Combining "Pfennige" with Toypel and Riffian seems possible and Wirt and Weinman would keep their position. But the other two pairs ... I don't get an idea in it. From this observation it seems, as if the presented suits system fits with deck type 1 (queens and maidens), but not with deck type 2 (8 professions). 8 professionsThe "8 professions" are an older and much used model from chess literature in 14th century before playing cards developed. The "8 professions" were variated, one cannot speak of one single model. Chess is given by historians as the second most used topic after the bible in 14th century literature, how much different models of the "8 professions" existed is impossible to estimate. I show here two, one of the first and reknown chess author in German literature, Konrad of Ammendorf from the year 1437 and that of Ingold himself in his cheess chapter to the pawns:1. Konrad von Ammendorf 1337, SchachzabelbuchA Swiss Benedictian monk, who wrote a chess book in the manner of Jacob de Cessolis, in which he expanded the Cessolis text to more than the double size with totally 19336 verses. His work is counted as the most popular chess book and as the first Cessolis adaptation in German language. He lived from ca 1280/90 till the mid of 14th century, had some journeys to France, Provence and Graubünden and lived at the time, when he finished his text, in Stein am Rhein near Schaffhausen (not too far away from Ingold's Strassburg). Content:
The text survided in 19 manuscripts and 3 fragments. A comparition of the pawns professions to the 8 figures in the deck described by Ingold leads to four possible identifications: the h-pawn "farmer" might be Ingold's "ackermann", the "money-changer" might be Ingold's "Wuchrer", the inn-keeper is Ingold's Wirt and the "squanderer, player and messenger" might be Ingold's "edelmann" (who, according to Ingold, looses his mones to the Wuchrer, likely as aresult of too much gambling activities). Master Ingold, Chess Chapter to the pawns
Translation:
In a longer passage in Ingold's text the eight pawns are described again with more content, curiously now in a different order (which adds to the general carelessness of Ingold's text): Figure 6 becomes Nr. 4, figure 4 becomes Nr. 5 and figure 5 becomes Nr. 6. Actually the first above given ordering makes sense as a system (the pawns mirror each other in their function), the second representation seems not logical. Comparison of the Ammendorf professions with Ingold's pawns and Ingold's card deckKonrad of Ammendorf thinks of normal professions, Ingold follows ideas similar to that in the Hofämterspiel - that creates a major difference between both orders. The 8 court cards form also a very individual satiric order. Nonetheless there are similarities:The most stable figures in pawns-professions compositions seem to have been the Wirt, the Ackermann and the degraded edelman. We detect them also in a Schachzabel manuscript of 1479 (Konstanz) as illuminations (see the pictures; actually one should compare further old chess literature to verify this; which is still not done for the moment).
If one recognizes the 8 figures of the Ingold deck as just another "8-pawns" composition, or even better, as the 8 officers of chess, then the complete intended irony of the composition becomes apparent:
A Riffian as the King and the Toypel as the Queen - card playing took not only place at houses made for drinking, but also in those establishments, which seved as bordells (whereby drinking, card or dice playing and bordell function were combined . We understand Ingold's exaggeration about the game - to him chess playing is a "good game" and "card playing" is a bad game. The game of LUST. And those, who enjoyed the LUST, likely had their fun about the exaggerated Ingold at their time. (autorbis) |
The following pictures are offered and copyrighted by a page of AEIOU picture Album. They appeared in a Schachzabelbuch produced 1479 in Konstanz, likely similar to that of Ingold. Te 3 important figures: The Ackermann appears as "Bauer", the Wirt as "Wirt" and the "degraded nobleman" as Spieler (player) - all three appear 2 times, likely for each player one; 7 other professions are shown, which probably also play at different sides - the pictures likely are not complete (we have not enough information about the text). Chess OfficersChess pawns professionsThe most common figures
Other games than Chess; similar to Ingold
Some pictures of another Schachzabelbuch made 1464/65 are reachable at this page. Some pictures of another Scachzabelbuch made 1464/65 are reachable at this page. at this page. Smith in a Cessolis-manuscript |