The term "Trionfi" - in relation to playing cards
Start Documents
Analyses
1423: Imperatori - first note
March 1425: Birth of Bianca Maria Visconti
May 1425: Parisina killed
June 1425: Trionfo Filippo Visconti (Michelino Deck ?)
1438: Council in Ferrara
1439: Council in Florence
(real Trionfo - probably no cards)
Burchiello
Autumn 1441 Bianca Maria Visconti in Ferrara
(small Trionfo at her arrival - no cards)
14 Figure, 1.1.1441
(Marriage Trionfo projected ?)
October 1441 Marriage Bianca Maria Visconti
(Cary-Yale Tarocchi?, Marriage-Trionfo ?)
Marcello is already near to Francesco Sforza
December 1441: Leonello new Signore in Milano
01 1442/1 Ferrara/Sagramoro
(February 1442 / Trionfo projected ?)
02 1442/2 Ferrara/Kids
(small Trionfo for the kids
according to the interests
of their mother (?)
1443 Imperatori - 1st reappearance
1443 Real Trionfo in Naples
Alfonso of Aragon
(no cards known)
Pause (1443 - 1450)
August 1447: Filippo Maria Visconti dies
Decembrio is in Ferrara
1447 Decembrio writes "Vita ..."
Vita di Filippo Maria Visconti
early 1449: Marcello with Francesco Sforza
in the region of Milan
Scipio Caraffa didn't know Trionfi decks
03 1449/1 Marcello letter
(Nov. 1449)
25.2.1450: Francesco Sforza occupies Milan
04 1450/1 Ferrara/Sagramoro
16.3.1450 Trionfi cards are paid
25.3.1450 Leonello visits Milan
After 8 years pause suddenly Trionfi decks production in Ferrara
Imperatori - 2nd reappearance
October 1450: Leonello dies
Borso new signore in Ferrara
05 1450/2 Florence
December 1450: Trionfi allowed (Florence)
06 1450/3 Sforza letter
December 1450: Difficulties to get a Trionfi deck
07 1451/1 Ferrara/Sagramoro
Borso's Trionfo projected ?
07b 1452/1 Siena/Emperor-visit
08 1452/1 Malatesta/Sforza
The letter signals a Trionfi production in Cremona, perhaps as a preparation for a Trionfo
August 1453: Real Trionfo in Milan
The peace of Lodi is near (9th of April 1454)
Probably Borso prepares
already before some Trionfi decks
production in series from February till April
09 1454/1 Ferrara/Sagramoro
10 1454/2 Ferrara/Sagramoro
11 1454/3 Ferrara/production
12 1454/4 Ferrara/production
13 1454/5 Ferrara/production
13b 1455/1 Padua / preaching
14 1456/1 Ferrara/Trotti
Trotti's comment signals, that now Trionfi is (at least in Ferrara) a well known game.
15 1456/2 Ferrara/Sagramoro
Last Sagramoro document
16 1457/1 Ferrara/70 cards
Very important, proves the 5x14 theory
17 1457/2 Ferrara/Vicenza
18 1458/1 Ferrara/Vicenza
19 1459/1 Ferrara/production
20 1459/2 Bologna
First "real" document outside of the courts)
21 1460/1 Ferrara/Vicenza
22 1460/2 Ferrara/Vicenza
23 1460/3 Ferrara/Vicenza
24 1460/4 Ferrara/Vicenza
25 1460/5 Ferrara/Vicenza
25b 1460/6 / 1513(?) Ancona - allowance
26 1461/1 Ferrara/Vicenza
26b 1461/2 Padova / Valerio Marcello
27 1463/1 Ferrara/Vicenza
28 1463: The law, which allowed Trionfi in Florence, is repeated
Probably the appearance must be interpreted in the way, that experiments are done with the number of trumps. Possibly the begin of the end of the 5x14-structure, possibly related to the new allowance in Florence 1463.
Later Notes (not complete)
29 Mantova 1465, inventory
Minchiate (since 1466)
29b Pavia Castle Frescoes 1469
29c Ferrara/Modena Bonacossi production
30 Polismagna
relates to the Decembrio Manuscript
31 Vita di San Bernardino 1472
32 Naples 1473 (Aragon court)
33 Naples 1474 (Aragon court, Beatrice)
33b Rome 1474 - 1478 / Import from Florence
34 Milan 1475, Letter of Galeazzo Maria Sforza
34b Fabriano 1476, request for allowance
35 Bologna 1477, printed decks
36b Recanati ca. 1480
37 Naples 1482, "Cartaio" Francesco
38 French dictionary, 1482
38b Cicognara-note (? forgery)
39 Brescia, 1488 - allowance
40 Salo, 1489 - allowance
41 Bergamo 1491 - allowance
42 Letter Ippolito d'Este, 1492
43 Rene d'Anjou II, France, 1496
44 Reggio, 1500 - allowance
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Artist + Persons
References
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"Trionfi" as Cards (Documents)
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Document 08
Sigismondo Malatesta writes in 1452 to Bianca Maria Visconti and shows interest
at the Trionfi production in Cremona. This circumstance could be interpreted in two ways: Either the Trionfi painter school
in Cremona (probably Bonifacio Bembo and his workshop) is especially famous for their production of Trionfi or - second possibility - Malatesta is at the time, when he wrote the letter, in a region,
where he has not much opportunity to get any Trionfi cards. And the second possibility would probably mean, that
the distribution channels for Trionfi cards aren't very well organised in 1452, probably due to the condition, that Trionfi still is a rather new game.
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1452 [November – Sigismondo Malatesta requests cards of Bianca Maria Visconti Sforza, recounted by Daniela Pizzagalli]:
"Gran parte del suo [Bianca Maria's] tempo era anche occupato dalla corrispondenza, perché aveva contatti personali con tutte le corti. Intratteneva carteggi paralleli spesso ricchi di argomenti che esulavano dalla politica: significativa, ad esempio, la richiesta che ricevette da Sigismondo Malatesta, nel novembre 1452, di un mazzo dale famose carte da trionfi miniate, vanto dell'artigianato cremonese…. Di far realizzare un mazzo di carte per il Malatesta,
Bianca Maria non aveva affatto voglia, anzi temeva di non saper mascherare abbastanza la sua invincibile ostilità contro di lui, tanto che, quando Francesco ordino personalmente i tarocchi a Cremona, lei, ringraziando per averle `levato questa fatica dalla mano' gli sottopose il testo della risposta a Sigismondo autorizzando il marito ad apportarvi modifiche."
[Pizzagalli 1988:129]
| Preliminary translation (by Ross Gregory Caldwell)
A large part of her time was also occupied in written correspondence, she having personal contact with the whole court. At the same time she maintained correspondence rich in subjects outside of politics: shown, for example, in the request which she received from Sigismondo Malatesta, in November 1452, for a pack of the famous hand-painted trump cards from the highly praised artisans of Cremona … Bianca Maria did not have the slightest desire to have a deck of cards made for Malatesta, on the contrary she feared of not knowing how to disguise enough her undying hostility for him, so much that when Francesco personally ordered the tarocchi at Cremona, she thanked him for “lifting this burden off my hands”, in the text of her response to Sigismondo, authorizing her husband to make modifications.
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