Trionfi Cards - Early Documents

<table width="100%" border="0" cellspacing="2" cellpadding="0"> <tr><td><a name="a"><b><font size="3" color="#0033ff" face="Verdana, Arial Narrow">    A</font></b></a><a href="http://autorbis.net" target="_blank"><font size="1" face="Verdana, Arial Narrow">UTORBIS.net </font></a> - <a href="http://trionfi.com" target="_blank"><font size="1" face="Verdana, Arial Narrow">TRIONFI.com </font></a> </td> <td align="right"><font size="1" face="Verdana, Arial Narrow">created 2003 - 2006       </td> </tr></table><hr size="1" width="90%"> <table width="100%"><tr><td rowspan="2" width="30%" align="left" valign="top" bgcolor="#dddddd"> <b><font size="+1">The term "Trionfi"<br> - in relation to playing cards</font><br><br> <font face="Verdana, Arial" size="2"><a href="http://trionfi.com/0/e/" target="top">Start Documents</a><br> <br><a href="http://trionfi.com/0/e/00/">Analyses</a><br></font> <br><br> <a href="http://trionfi.com/0/p/06/">1423: Imperatori - first note </a><br><br> March 1425: Birth of Bianca Maria Visconti<br> May 1425: Parisina killed<br> June 1425: Trionfo Filippo Visconti<br><a href="http://trionfi.com/0/b/" target="_top">(Michelino Deck ?)</a><br><br> 1438: Council in Ferrara<br> 1439: Council in Florence<br> (real Trionfo - probably no cards)<br> <br> <a href="http://trionfi.com/0/e/00a/">Burchiello</a><br> <br> Autumn 1441 Bianca Maria Visconti in Ferrara<br> (small Trionfo at her arrival - no cards)<br> <br> <a href="http://trionfi.com/0/e/00b/">14 Figure, 1.1.1441</a><br> (Marriage Trionfo projected ?)<br> <br> October 1441 Marriage Bianca Maria Visconti<br> (Cary-Yale Tarocchi?, Marriage-Trionfo ?)<br> Marcello is already near to Francesco Sforza <br><br> December 1441: Leonello new Signore in Milano <br> <a href="http://trionfi.com/0/e/01/">01  1442/1  Ferrara/Sagramoro</a><br> (February 1442 / Trionfo projected ?)<br> <br> <a href="http://trionfi.com/0/e/02/">02  1442/2  Ferrara/Kids</a><br> (small Trionfo for the kids <br> according to the interests <br> of their mother (?)<br> <br> <a href="http://trionfi.com/0/p/06/">1443 Imperatori - 1st reappearance</a><br> <br> 1443 Real Trionfo in Naples<br> Alfonso of Aragon<br> (no cards known)<br> <br> <a href="http://www.trionfi.com/0/e/00f/">Pause (1443 - 1450)</a><br><br> August 1447: Filippo Maria Visconti dies<br> Decembrio is in Ferrara<br> <a href="http://trionfi.com/0/e/00e/">1447 Decembrio writes "Vita ..."</a><br> <br> <a href="http://geocities.com/research_of_tarot/doc08.html" target="_blank">  Vita di Filippo Maria Visconti</a><br> <br> early 1449: Marcello with Francesco Sforza <br> in the region of Milan<br> Scipio Caraffa didn't know Trionfi decks<br> <a href="http://trionfi.com/0/e/03/">03  1449/1  Marcello letter</a><br> (Nov. 1449)<br><br> 25.2.1450: Francesco Sforza occupies Milan<br> <a href="http://trionfi.com/0/e/04/">04  1450/1  Ferrara/Sagramoro</a><br> 16.3.1450 Trionfi cards are paid<br> 25.3.1450 Leonello visits Milan<br> After 8 years pause suddenly Trionfi decks production in Ferrara<br><br> <a href="http://trionfi.com/0/p/06/">Imperatori - 2nd reappearance</a><br> <br> October 1450: Leonello dies<br> Borso new signore in Ferrara<br> <br> <a href="http://trionfi.com/0/e/05/">05  1450/2  Florence</a><br> December 1450: Trionfi allowed (Florence)<br> <br> <a href="http://trionfi.com/0/e/06/">06  1450/3  Sforza letter</a><br> December 1450: Difficulties to get a Trionfi deck <br> <br> <a href="http://trionfi.com/0/e/07/">07  1451/1  Ferrara/Sagramoro</a><br> Borso's Trionfo projected ? <br> <br> <a href="http://trionfi.com/0/e/07b/">07b  1452/1  Siena/Emperor-visit</a> <br><br> <a href="http://trionfi.com/0/e/08/">08  1452/1  Malatesta/Sforza</a><br> The letter signals a Trionfi production in Cremona, perhaps as a preparation for a Trionfo<br> August 1453: Real Trionfo in Milan<br> <br> The peace of Lodi is near (9th of April 1454)<br> Probably Borso prepares <br> already before some Trionfi decks<br> production in series from February till April<br> <a href="http://trionfi.com/0/e/09/">09  1454/1  Ferrara/Sagramoro</a><br> <a href="http://trionfi.com/0/e/10/">10  1454/2  Ferrara/Sagramoro</a><br> <a href="http://trionfi.com/0/e/11/">11  1454/3  Ferrara/production</a><br> <a href="http://trionfi.com/0/e/12/">12  1454/4  Ferrara/production</a><br> <a href="http://trionfi.com/0/e/13/">13  1454/5  Ferrara/production</a><br><br> <a href="http://trionfi.com/0/e/13b/">13b  1455/1 Padua / preaching</a><br><br> <a href="http://trionfi.com/0/e/14/">14  1456/1  Ferrara/Trotti</a><br> Trotti's comment signals, that now Trionfi is (at least in Ferrara) a well known game. <br> <br> <a href="http://trionfi.com/0/e/15/">15  1456/2  Ferrara/Sagramoro</a><br> Last Sagramoro document </p> <p><a href="http://trionfi.com/0/e/16/">16  1457/1  Ferrara/70 cards</a><br> Very important, proves the 5x14 theory<br> </p> <p><a href="http://trionfi.com/0/e/17/">17  1457/2  Ferrara/Vicenza</a><br> <a href="http://trionfi.com/0/e/18/">18  1458/1  Ferrara/Vicenza</a><br> <a href="http://trionfi.com/0/e/19/">19  1459/1  Ferrara/production</a><br><br> <a href="http://trionfi.com/0/e/20/">20  1459/2  Bologna</a><br> First "real" document outside of the courts)<br> <br> <a href="http://trionfi.com/0/e/21/">21  1460/1  Ferrara/Vicenza</a><br> <a href="http://trionfi.com/0/e/22/">22  1460/2  Ferrara/Vicenza</a><br> <a href="http://trionfi.com/0/e/23/">23  1460/3  Ferrara/Vicenza</a><br> <a href="http://trionfi.com/0/e/24/">24  1460/4  Ferrara/Vicenza</a><br> <a href="http://trionfi.com/0/e/25/">25  1460/5  Ferrara/Vicenza</a><br> <a href="http://trionfi.com/0/e/25b/">25b  1460/6 / 1513(?) Ancona - allowance</a><br> <a href="http://trionfi.com/0/e/26/">26  1461/1  Ferrara/Vicenza</a><br> <a href="http://trionfi.com/0/e/26b/">26b  1461/2 Padova / Valerio Marcello</a><br> <a href="http://trionfi.com/0/e/27/">27  1463/1  Ferrara/Vicenza</a><br> <br> <a href="http://trionfi.com/0/e/28/">28 1463: The law, which allowed Trionfi in Florence, is repeated </a><br> Probably the appearance must be interpreted in the way, that experiments are done with the number of trumps. Possibly the begin of the end of the 5x14-structure, possibly related to the new allowance in Florence 1463.<br><br> <h3>Later Notes (not complete)</h3> <a href="http://trionfi.com/0/e/29/">29 Mantova 1465, inventory</a><br><br> <a href="http://trionfi.com/0/p/09/" target="_blank">Minchiate (since 1466)</a><br><br> <a href="http://trionfi.com/0/e/29b/">29b Pavia Castle Frescoes 1469</a><br> <a href="http://trionfi.com/0/e/29c/">29c Ferrara/Modena Bonacossi production</a><br> <a href="http://trionfi.com/0/e/30/">30 Polismagna</a><br> relates to the Decembrio Manuscript<br><BR> <a href="http://trionfi.com/0/e/31/">31 Vita di San Bernardino 1472</a><br><br> <a href="http://trionfi.com/0/e/32/">32 Naples 1473 (Aragon court)</a><br><br> <a href="http://trionfi.com/0/e/33/">33 Naples 1474 (Aragon court, Beatrice)</a><br><br> <a href="http://trionfi.com/0/e/33b/">33b Rome 1474 - 1478 / Import from Florence</a><br><br> <a href="http://trionfi.com/0/e/34/">34 Milan 1475, Letter of Galeazzo Maria Sforza</a><br><br> <a href="http://trionfi.com/0/e/34b/">34b Fabriano 1476, request for allowance</a><br><br> <a href="http://trionfi.com/0/e/35/">35 Bologna 1477, printed decks</a><br><br> <a href="http://trionfi.com/0/e/36/">36b Recanati ca. 1480</a><br><br> <a href="http://trionfi.com/0/e/37/">37 Naples 1482, "Cartaio" Francesco</a><br><br> <a href="http://trionfi.com/0/e/38/">38 French dictionary, 1482</a><br><br> <a href="http://trionfi.com/0/e/38b/">38b Cicognara-note (? forgery)</a><br><br> <a href="http://trionfi.com/0/e/39/">39 Brescia, 1488 - allowance</a><br><br> <a href="http://trionfi.com/0/e/40/">40 Salo, 1489 - allowance</a><br><br> <a href="http://trionfi.com/0/e/41/">41 Bergamo 1491 - allowance</a><br><br> <a href="http://trionfi.com/0/e/42/">42 Letter Ippolito d'Este, 1492</a><br><br> <a href="http://trionfi.com/0/e/43/">43 Rene d'Anjou II, France, 1496</a><br><br> <a href="http://trionfi.com/0/e/44/">44 Reggio, 1500 - allowance</a><br><br> **********************</p> <p><a href="http://trionfi.com/0/e/00c/">Artist + Persons</a><br> <a href="http://trionfi.com/0/e/00d/">References</a><br> </p> </ul> </b> </ul></td><td height="50" align="left" valign="top" bgcolor="#dddddd"> "Trionfi" as Cards (Documents) </td></tr><tr><td align="left" valign="top" bgcolor="#eeeeee"> <h1>A Pause between 1443 and 1450 </h1> <table width="100%" border="0" summary=""> <tr> <td align="left" valign="top">In the year 1442 we've Trionfi notes in Ferrara, in 1443 notes to Imperatori decks. Then we've a great pause till 1450 - also notes about other playing cards are more or less missing. An explanation might be found in the following text of Edmund G. Gardner, <i>The King of the Court Poets</i>, which probably refers to documentary evidence from the given time. Even still under Borso - who produced many Trionfi decks - there were limitations to the gambling of students. Perhaps some bad experiences with card playing and gambling around 1443 did lead to some small form of prohibition during the 40ies. In the same time in Florence (- 1450) we've also <a href="http://www.trionfi.com/0/e1/05/" target="_blank">increased prohibition tendencies </a>( <b> Calenzano: </b> 1443: condannata is forbidden and the “ <i> lending of cards</i>, 1448: a complete discussion with reference to earlier laws; several card games as <i> condennata, pilucchino o pizzica </i> ” are considered to result eventually in scandals, all card play are forbidden except for <i>diritta e torta</i>, <b> Sesto Fiorentino </b> 1445: Several dangerous games are spreading such as condennata, and counter measures should be taken; all card games are prohibited except “ <i> diritto </i> ” and “ <i> vinciperdi</i>, a month later all card games are prohibited)<br> . <p>The passage is also of interest for the development of Carnival (or 'masquerade'): Ferrara became in late 15th century a major center of Carnival, under Leonello and Borso the interest seems still have been supressed. </p> <p>P.22 </p> <p><i>Notwithstanding the solemn reputation and somewhat overwhelming erudition of the professors and readers, we may suppose that the students of the Ferrarese Studio were not less merry than their fellows elsewhere. Leonello and Borso had forbidden them to go about in masquerade; and one Giovanni Francesco Suardo, apparently on behalf of his fellows had written a sonnet to Leonello, explaining that they could not possibly dance in academic dress, 'che con la cappa non si puo ballare,' and on Borso's accession he had sent him an ode, beseeching him 'with devout and just prayers' that he would vouchsafe to let them 'tranvestire'': so that thy great worth and thy courtesy may be seen from the very beginnings of thy reign.'(3) </i></p> <p>(3) G. Secco-Suardo, Lo Studio di Ferrara a tutto il secolo XV. (Atti e memorie della Deputanzione Ferarraese di Storia Patria, vol. vi.), pp. 113, 114. Ferarra, 1894. </p> <p>P.23 </p> <p><i>The sovereigns had likewise <b>forbidden the students gambling, il giuoco,</b> about which the 'University of the scholars' had appealed to Borso, 'our Lord and special benefactor,' asserting that 'no one is reckoned of worth or held in repute among scholars, if in the course of his studies he does not once or twice stake his books'; and they declared that they had a statute (which they regretted to say, they could not produce as one of their rectors had lost it) which gave them the right to gamble as much as they liked without any interference from the authorities. Ercole appears to have allowed them to masquerade, as long as they did not go to the schools in maschera and interfere with the lectures. We read in the Chronicles under January 1, 1486: 'The youths of Ferrara today began to go in maschera, with permission of our most illustrious Duke, Messer Ercole; and proclamation was made to his name that no person shall dare to bear sticks thicker than the statute allows, under pain of confiscation of his goods; and that no masked person shall exchange blows or wound others, under pain of the gallows (2).</i></p> <p> <b>Edmund G. Gardner:</b> <i>The King of the Court Poets. A Study of the Work, Life and Times of Lodovico Aristo</i> </p> <p>First published 1906, Haskell House Publishers Ltd New York, NY 1968 Library of Congress Card Number: 68-24954 <br> </p> <p></p> <p><b>(found and collected by Mari Hoshizaki)</b></p> </td> <td align="right" valign="top"></td> </tr> </table> </td></tr></table> <hr><br><br> <center><b><font size="1">Trionfi.com </b>has its focus on Tarot History and especially the origin of Tarot in 15th century, also the representation of about 100 000 Tarot and other playing cards in the Tarot Museum. <br><b>The chapter "Trionfi as Cards (Documents)"</b> presents the early documents, which note the term "Trionfi" (or similar, for instance "ludus triumphorum") in context to playing cards. The first appearance is from February 1442. The chapter is still in development. <br> Author: when not otherwise specified, autorbis. Copyright: trionfi.com. 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